Meritocracy vs. Social Cohesion: A Review of The Acting Class (UK, 2017)—By Anthony Killick
The latest documentary from D O’Neill and M Wayne highlights the barriers faced by working class actors attempting to pursue cultural work. The film exposes the fraudulence behind some of the central tenets of neoliberal meritocracy, Anthony Killick finds, particularly the idea that arts and cultural jobs are equally accessible to all on a “level playing field”.
Stoke, the City of Culture? | Blog by Jonathan Ward
Stoke-On-Trent has set itself an ambitious task with its bid for UK City of Culture 2021. Should it be awarded the promising title then it will face a number of competing priorities and tensions, Jonathan Ward comments on the recent shortlisting, and the city should take it seriously.
What makes for a good life in Stoke-On-Trent? | A Workshop Report
This report presents a summary of a workshop we held in Stoke-on-Trent in May of this year. The emphasis in the workshop was to encourage discussions around identifying existing assets within the city, and to consider what would make Stoke-on-Trent a better place to live.
Artists as workers. A response to John Bellamy Foster | by Kate Oakley
Bellamy Foster’s essay is to be warmly welcomed for putting the question of what constitutes ‘good work’ on the table. But by arguing - at least in parts - that good work looks like creative or artistic work, it risks perpetuating certain ideas about artistic production that will harm, rather than aid, the struggle for good work, Kate Oakley finds.
Fostering Visual Self-Governance in Zambia | Blog by Kerstin Hacker
Documentary photographer and CUSP fellow Kerstin Hacker is investigating the developing consumer culture of Lusaka (Zambia) and examines photographically the emergence of a new cultural sector. Her project is set out to enable artists to participate meaningfully in the debate around sustainability and prosperity of the sector and the country as whole. In this blog she introduces her work.