Creative Economy: Critical Perspectives | Workshop, Glasgow—1 Mar 2019
Though the creative economy remains a powerful idea in policy circles, concerns about inequality, worker exploitation and the promotion of over-consumption have begun to grow. This one-day workshop looks at some of these concerns, but also at the potential for arts and culture to help us think through these issues and re-frame a more sustainable and human creative economy.
One Hundred Islands — An Interactive Installation | York Theatre Royal, 6 Nov 2018
One Hundred Islands is an installation that has been created through a collaboration between The Bare Project Theatre Company and the CUSP. The installation responds to the concept of denial: in particular the denial of the immediate need for change. Why are we failing to act? Is it that we won’t listen or that we are unable to?
This Must be the Place: An interview with Dan Lyttleton | By Mark Ball
Coming at an interesting time for the city, Dan Lyttleton’s new photo book This Must be the Place prompts discussions of Stoke ‘free from cliches’. Given CUSP’s continued interest in the city, Mark Ball sat down with Dan to talk about his new book, the role of photography, and Stoke.
Social Darts | Blog by Mark Ball
Leisure doesn’t always make business sense, and success doesn’t mean turning a profit. Against the logic of expansion and abundance, Stoke has something major metropolitan cities do not, Mark Ball finds. His research looks at the connections between leisure, wellbeing and sense of place — and currently involves playing a lot of darts
The Politics of Enclaves: Launch of Economic Science Fictions | London, 2 May 2018
Economic Science Fictions is a new volume of essays exploring the overlap between the economic imagination and science fiction, in economics, fiction, design fiction and utopian (and dystopian) political economy. To celebrate the publication of the book, this event will explore the politics of enclaves from the perspective of urban design and science fiction, so as to cast different light on the anxieties and hopes of the present.
Anthropocene Dreams — Review of The Ends of The World | By Jana Bacevic
If the Anthropocene had an intellectual mixtape, The Ends of the World would be a worthy candidate, Jana Bacevic finds. The book presents perspectives on the end of the world beyond the Western-centric view, to include those for whom the world has already ended; providing valuable lessons.
Economic Science Fictions | Edited by Will Davies
From the libertarian economics of Ayn Rand to Aldous Huxley’s consumerist dystopias, economics and science fiction have often orbited each other. In Economic Science Fictions, CUSP co-investigator Will Davies has deliberately merged the two worlds, asking how we might harness the power of the utopian imagination to revitalise economic thinking.
Writing A Better Future | Guest Blog by Denise Baden
Most of us feel it: the future doesn't look too bright. Dark future visions such as the Black Mirror series feed into our anxieties; the global news and climate change discourse create further avoidance. What we need, Denise Baden argues, are positive visions that allow transformative solutions to be showcased and played out—a kind of product placement for sustainability.
Everyday Culture and the Good Life | Working Paper No 9
The purpose of this paper is to prepare the ground for a strand of work in CUSP which aims to look at the role of culture in everyday life, and in doing so to understand how it might operate as an element of sustainable prosperity. The paper considers the basis on which we might start to think about new legitimations for cultural policy and a fuller understanding of its potential for living well with less.
Nature On The Page — Wildlines @ The Leeds Library w Kate Oakley, 15 Mar 2018
On 15 March 2018, CUSP researcher Kate Oakley will be joining an expert panel of writers and naturalists to explore the process of putting our experience of the natural world down on paper. Who gets to write about nature, and why? Is there a place for politics in nature writing? Does the north have the nature-writing it deserves? And why does nature writing matter?
Not the City of Culture — Blog by Mark Ball
Early December 2017 Stoke-on-Trent was one of four cities not to win the title of UK City of Culture 2021. This may have been drowned out by the ongoing noise of European Capital of Culture uncertainty, but it was big news for Coventry who now follow Hull and Derry~Londonderry to hold the award. In this blog, Mark Ball is reflecting on not winning City of Culture.
Meritocracy vs. Social Cohesion: A Review of The Acting Class (UK, 2017)—By Anthony Killick
The latest documentary from D O’Neill and M Wayne highlights the barriers faced by working class actors attempting to pursue cultural work. The film exposes the fraudulence behind some of the central tenets of neoliberal meritocracy, Anthony Killick finds, particularly the idea that arts and cultural jobs are equally accessible to all on a “level playing field”.
Stoke, the City of Culture? | Blog by Jonathan Ward
Stoke-On-Trent has set itself an ambitious task with its bid for UK City of Culture 2021. Should it be awarded the promising title then it will face a number of competing priorities and tensions, Jonathan Ward comments on the recent shortlisting, and the city should take it seriously.
What makes for a good life in Stoke-On-Trent? | A Workshop Report
This report presents a summary of a workshop we held in Stoke-on-Trent in May of this year. The emphasis in the workshop was to encourage discussions around identifying existing assets within the city, and to consider what would make Stoke-on-Trent a better place to live.
Artists as workers. A response to John Bellamy Foster | by Kate Oakley
Bellamy Foster’s essay is to be warmly welcomed for putting the question of what constitutes ‘good work’ on the table. But by arguing - at least in parts - that good work looks like creative or artistic work, it risks perpetuating certain ideas about artistic production that will harm, rather than aid, the struggle for good work, Kate Oakley finds.
Fostering Visual Self-Governance in Zambia | Blog by Kerstin Hacker
Documentary photographer and CUSP fellow Kerstin Hacker is investigating the developing consumer culture of Lusaka (Zambia) and examines photographically the emergence of a new cultural sector. Her project is set out to enable artists to participate meaningfully in the debate around sustainability and prosperity of the sector and the country as whole. In this blog she introduces her work.
Theatre, Performance and Employment | Keynote by Prof Kate Oakley
Co-Investigator Prof Kate Oakley to give a keynote presentation for the Theatre, Performance & Employment symposium to take place 23 – 24 February 2017 at Queen Mary University of London, bringing together scholars, artists, and activists from the theatre and performance industries.
Combining film and field notes to explore spatial practices
This short film seeks to give insight into a particular spatial practice. The use of video and field notes taken as primary research, is set to raise questions around positionality, context, and geographical framing in how and why we measure and understand (time)spaces.
A Dream of a Low Carbon Future | Blog by James McKay
“When an idea is sketched on a page, it can be examined and discussed much more easily than when it merely exists in people’s heads.” In this blog, CUSP Fellow James McKay introduces his recent project: A dream of a low carbon future.
Beyond Consumer Capitalism – Foundations for a Sustainable Prosperity | Working Paper No 2
This paper explores the ramifications of the combined crises now faced by the prevailing growth-based model of economics. In paying a particular attention to the nature of enterprise, the quality of work, the structure of investment and the role of money, the paper develops the conceptual basis for social innovation in each of these areas, and provides empirical examples of such innovations.
Governance in the Anthropocene | Blog by Marit Hammond
Our lifestyle today is widely considered to be the dominant influence on climate and the environment. The recognition of the Anthropocene as a new era calls for a new approach to politics, Marit Hammond argues; and the arts could play a key role.