month : 03/2017 14 results

Recovering the Social | BSA Annual Conference 2017 with Kate Burningham and Sue Venn

In the light of a rising culture of hyper-individualism and denigration of the role of the social, the broad theme of the conference will consider how research might explore and challenge misrepresentations of the relationship between the personal and the public realm.

Reporting Climate Survival – Review of Gaia Vince’s Adventures in the Anthropocene

Adventures in the Anthropocene—the fourth book discussed in the Anthropocene Reading Group—stands out from the others as the first that might be taken to the beach. Gaia Vince’s intrepid reportage has won her generous reviews. Yet, the journalistic and scientific objectivity—the twin lenses of her investigation—comes at a price, Robert Butler finds.

Artists as workers. A response to John Bellamy Foster | by Kate Oakley

Bellamy Foster’s essay is to be warmly welcomed for putting the question of what constitutes ‘good work’ on the table. But by arguing - at least in parts - that good work looks like creative or artistic work, it risks perpetuating certain ideas about artistic production that will harm, rather than aid, the struggle for good work, Kate Oakley finds.

Inclusive and Sustainable Economies Powering the SDGs | Tim Jackson at international PAGE conference, Berlin

CUSP Director Prof Tim Jackson is joining the opening panel of the 2nd international ministerial conference of the Partnership for Action on Green Economy (PAGE), 26 March 2017, Berlin.

Fostering Visual Self-Governance in Zambia | Blog by Kerstin Hacker

Documentary photographer and CUSP fellow Kerstin Hacker is investigating the developing consumer culture of Lusaka (Zambia) and examines photographically the emergence of a new cultural sector. Her project is set out to enable artists to participate meaningfully in the debate around sustainability and prosperity of the sector and the country as whole. In this blog she introduces her work.

Reducing work to transform work. A response to John Bellamy Foster | by Nick Taylor

John Bellamy Foster is right that we mustn’t abandon the project of pursuing non-alienating work, nor simply see work as a disutility. Yet, there is clearly space for articulating the importance of reduced, reproductive and redistributed work, Nick Taylor finds, and systems of social security that support these circumstances, as part of efforts to deliver democratic control over meaningful work.

Political Populism and Sustainability | Guest blog by Mike Hulme

This blog is a transcript of Mike's contribution to the conference Sustainability in Turbulent Times on 16 March 2016, reflecting on the implications of recent swings towards populism and nationalism around the world, for the relationship between inequality, democracy and sustainability.

The Meaning of Work in a Sustainable Society: A Marxian View | Essay by John Bellamy Foster

The nature of work has divided thinkers across the fields since the Industrial Revolution. In his Marxian take on the meaning of work, John Bellamy Foster argues that the real potential for any future sustainable society rests not so much on its expansion of leisure time, but rather on its capacity to generate a new world of collective work.

Reflexive realism and hope for the future – a response to Will Davies | by Jonathan Rowson

We are rarely encouraged to think of ourselves as good ancestors, but that’s what we need to become. After all, we represent the past the future relies on to have a viable present. If the idea of Utopia invites us to imagine the future, Jonathan Rowson argues, it is up to us to make a path towards that future discernible in the present.

A Future Generations Commissioner for the UK | Evening debate with Peter Davies and Sándor Fülöp, 11 April

This event explored the potential to establish a UK-wide Commissioner for Future Generations. We heard from two speakers who have intimate knowledge of the work of Commissioners and Ombudsman around the world: Peter Davies and Sándor Fülöp. Provocations were then offered by Andrea Westall and Victor Anderson.