Where there is no vision, the people perish: a utopian ethic for a transformed future | Essay by Ruth Levitas
In the fifth essay in our philosophical series on the morality of sustainable prosperity, Ruth Levitas argues that thinking about our ethical responsibilities in the present and for the future is helped by looking through the lens of Utopia. The Utopian approach allows us not only to imagine what an alternative society could look like, but enables us to imagine what it might feel like to inhabit it, thus giving a greater potential depth to our judgements about the good.
Shifting the social imaginary | Blog by Jonathan Rowson
In the second part of his essay on 'Imagining a world beyond consumerism' Jonathan Rowson is challenging the extraordinary tenacity of consumerism and alighting on the idea that in order to go beyond consumerism it might be necessary to improve what German Philosopher Metzinger calls “the present cognitive and emotional abilities of our species”.
The uncanniness of climate – Review of Morton’s Hyperobjects
Timothy Morton cares about the humans and things with which he co-exists, and doesn’t want to see them destroyed. But reading Hyperobjects: Philosophy and Ecology after the End of the World, Will Davies finds, it’s not entirely clear why. His version of environmental ethics is rather disquieting.
Imagining a world beyond consumerism | Blog by Jonathan Rowson
Consumerism is deeply problematic, but despite its obvious limitations, harms and absurdities, it is remarkably difficult to displace as our default societal setting and plot. Consumerism has become our prevailing cultural and economic modus operandi and is fundamentally more logical than it might at first appear.
Reporting Climate Survival – Review of Gaia Vince’s Adventures in the Anthropocene
Adventures in the Anthropocene—the fourth book discussed in the Anthropocene Reading Group—stands out from the others as the first that might be taken to the beach. Gaia Vince’s intrepid reportage has won her generous reviews. Yet, the journalistic and scientific objectivity—the twin lenses of her investigation—comes at a price, Robert Butler finds.
Artists as workers. A response to John Bellamy Foster | by Kate Oakley
Bellamy Foster’s essay is to be warmly welcomed for putting the question of what constitutes ‘good work’ on the table. But by arguing - at least in parts - that good work looks like creative or artistic work, it risks perpetuating certain ideas about artistic production that will harm, rather than aid, the struggle for good work, Kate Oakley finds.