Artists as workers. A response to John Bellamy Foster | by Kate Oakley
Bellamy Foster’s essay is to be warmly welcomed for putting the question of what constitutes ‘good work’ on the table. But by arguing - at least in parts - that good work looks like creative or artistic work, it risks perpetuating certain ideas about artistic production that will harm, rather than aid, the struggle for good work, Kate Oakley finds.
Fostering Visual Self-Governance in Zambia | Blog by Kerstin Hacker
Documentary photographer and CUSP fellow Kerstin Hacker is investigating the developing consumer culture of Lusaka (Zambia) and examines photographically the emergence of a new cultural sector. Her project is set out to enable artists to participate meaningfully in the debate around sustainability and prosperity of the sector and the country as whole. In this blog she introduces her work.
Theatre, Performance and Employment | Keynote by Prof Kate Oakley
Co-Investigator Prof Kate Oakley to give a keynote presentation for the Theatre, Performance & Employment symposium to take place 23 – 24 February 2017 at Queen Mary University of London, bringing together scholars, artists, and activists from the theatre and performance industries.
Combining film and field notes to explore spatial practices
This short film seeks to give insight into a particular spatial practice. The use of video and field notes taken as primary research, is set to raise questions around positionality, context, and geographical framing in how and why we measure and understand (time)spaces.
A Dream of a Low Carbon Future | Blog by James McKay
“When an idea is sketched on a page, it can be examined and discussed much more easily than when it merely exists in people’s heads.” In this blog, CUSP Fellow James McKay introduces his recent project: A dream of a low carbon future.